I captured this scene cycling on the Sammammish River trail. It was very cold and the sun was just beginning to penetrate the cold air. The sun cast these long dark reflections over the water surface that was washed in a soft orange hue, perfect to inspire a painting. I continue to be drawn to reflections on water. The more I study, the more intriguing they become.
16″ x 22″ framed giclee print $320, unframed $150
Watercolor “Henry Covered Bridge” over Mingo Creek in Pennsylvania. This bridge is 12’ x 36’ built in 1881 and was used by militia as a meeting place in the 1890’s. As I studied this scene, the trees seemed to have arms covered in white bark that were illuminated by the sun. They appear as if moving and entangled amongst the deep shadows of the foliage.
16″ x 22″ framed giclee print $320, unframed $150
Watercolor “Setting sun on a Florence street” 14” x 22”. It is always a challenge to get light to beam off of the paper, but as the painting developed as planned, the intensity of the glare came to life. I keep tackling more difficult scenes and subjects. When I am about 50% complete, I often wonder if the painting will end as I planned. Watercolor does not erase very well! This is one on my favorite paintings. The challenge of capturing the light was gratifying.
16″ x 22″ framed giclee print $320, unframed $150
Watercolor of the famous “Duomo from via del L’Orivolo” in Florence, Italy. This watercolor is 12” x 22” on Arches rough paper. As an Architect, Florence is one of the most architecturally rich cities of the world. After cycling in the Italian countryside, I would wonder in the squares and down the narrow streets in search of my watercolor inspiration! They were easy to find and so rich with detail, color and shadow. Sunlight pierces down the narrow side-roads and washed the Duomo in afternoon light for this painting.
12″ x 22″ framed giclee print $300, unframed $130
“Silhouettes dancing on the Maasai Mara”. The sun, clouds and smoke from a fire on the Maasai plains provided my inspiration for this painting. The silhouette of the trees appear as a migrating grove of trees on the horizon in Kenya. This watercolor is 14” x 22” on Arches rough paper.
Watercolor “Acacia on the Maasai Mara plain” 16” x 22”. This painting captures the grandeur and graceful structure of the iconic Acacia tree that seems to claim its space in the short grass of the plain. These few closeup photos show the watercolor pigments mixing while retaining their transparency. Getting the pigment to do this is always a challenge that must be completed quickly before the paper drys at all. Transparency is unique to watercolor, but can easily turn to mud if not done properly.
Acacia on the Maasai Mara Plain
I have been busy painting these new watercolors that have been added to my catalog.
Study sketch Maasai Woman from my trip to Kenya 2016. I wanted to paint this, but I have been intimidated to tackle this subject until now. Wait until you see the colors! Her skin is a rich red-brown, her clothing and jewelry are turquoise, red, black, pink and white set in a field of tall ochre grass typical of the Maasai Mara.
Pencil study sketch
Watercolor study sketch
I worked on another study sketch using an ebony pencil and watercolor to further explore and determine how to approach a larger watercolor that I will tackle soon.
This is one of the largest public plazas in the world. I spent many hours sketching and taking in the features and architecture that makes this space so wonderful. Narrow streets connect to the piazza at five locations with restaurants of all kinds surrounding the perimeter. The painting is 16” x 22” on Arches rough. This painting makes me long to be there again with my sketch paper and brush. That will have to wait until next year.
